Our Still Life workshop @ R-Studio

Wednesday, March 21st, 2012 Drawing and Painting No Comments

“Daniel,
Thank you so much for the perfect and really wonderful Still Life class.
I enjoyed, your presentation even though I arrived near the end of your lecture.
I could feel the creative energy in the space as the others paid rapt attention.
Your set up and staging was just perfect. Not to much and not to little.The light in your venue was perfect.
The lovely young lady who’s name escapes me,and I will never forget her smile was perfectly helpful, talented, informative and patient.
I had no idea of what to expect having never taken an art class before and I so enjoyed what you made available to me. Your direction, training and guidance were again perfect. I look forward to my creative future and what prefect artistic creations come from my Spirit. You have given me a sorry, perfect introduction into a life passion.
Thank you,
M C Pazant”

Habits of Great Artists

Wednesday, February 29th, 2012 Drawing and Painting No Comments

A short list of what I’ve found to be common among great artists.

1. They use a lot of paint to make their statement.
2. They use a muted palette; adding vivid colors on occasion.
3. They create fantastic color harmony.  No one color over powers their work.
4. Their technical skills are very strong. This is especially true in classical art.
5. Their paintings have a central theme and concept.
6.  They work from big abstract shapes to small realistic details.
7. They work with a limited palette (using only the colors they need!)
8.  They work in layers (from rough to polished.)
9. They have a clear concept or idea they want to express.
10.  They have a signature style, or feel to their work.

Why Beauty Matters

Wednesday, February 29th, 2012 Drawing and Painting No Comments

This is a 1 hour BBC special where Philosopher Roger Scruton presents a provocative essay on the importance of beauty in the arts and in our lives.

Why Beauty Matters


Brush Storage & Care Tips

Tuesday, January 24th, 2012 Drawing and Painting No Comments


Student WorkShop at RSOA

Wednesday, January 4th, 2012 Drawing and Painting No Comments

Workshop For Beginners


Why Choose Oil Painting?

Thursday, November 10th, 2011 Drawing and Painting No Comments

Why oil Paints?

Why choose oil paints over other types of paint?

Oil paints are one of the great classic media. They have been used for hundreds of years and have stood the test of time with great durability and steadfast color.
Oils are beloved by artists for many reasons. They offer great versatility. Oils can be very opaque, or they can be thinned with a solvent to varying levels of transparency. They have a slow-drying time, during which their colors do not change, allowing the artist to rework, correct, and even scrape off areas of paint.

What are oil paints made of?

Oil paints are comprised of pigments suspended in a binder, generally linseed oil. Depending on the manufacturer, other ingredients may be added as well, such as stabilizers or dryers.

What brushes should I use with oil paints?

A wide range of brushes may be used. From natural to synthetic bristles, the brush can be left largely up to the artist. By experimenting with different brushes, each individual artist can find ones that suit their needs.
Traditional oil painting brushes have long handles, so that the artist can work at some distance from the canvas. The hair is generally firmer and stiffer than for a watercolor brush. Palette knives can also be a very useful tool for mixing and/or applying oil paints to paintings.

How do I clean oil paint from my brushes?

Cleaning your brushes is a very important step in ensuring a longer life for your brush. In the case of oil paints, the brush should be cleaned off thoroughly starting with solvent and rags or tissue. Once the brush is fairly clean from the solvent, rub the bristles in a glass or plastic jar with either a brush conditioner or a human hair shampoo. Give the brush a good final rinse and squeeze out any water. Dry the brush with its hair end lower than the handle end to prevent water from loosening the handle and the ferrule. Dry brushes can be stored bristle up in a jar, or laid flat. Protective storage containers are available too.

What kind of support should be used with oil paints?

Canvas, linen, panels, boards, and heavy papers are all appropriate. It is important that the support can carry its own weight and that it can support the weight of the paint as well. Preparing the support so that paint will adhere well is very important. Oil paint must be separated from its support with some kind of ground. This ground should provide a combination of tooth and absorbency that suits the individual artist.

What does “Direct Painting” mean?

This means that the paint is applied in one layer. A good way of thinking about this technique is that a painting can be completed in one sitting, and does not require waiting time before adding another layer.

What does “Indirect Painting” mean?

This is a more complex method of painting with oils. It is also thought of as a more traditional approach. Here the artist applies many layers of paint, adjusting the opacity of the layers to create different effects. Indirect painting can result in very luminous tones and colors.

What does “Fat Over Lean” mean?

This is a traditional rule of oil painting. “fat” paint has more oil in it, and “lean” paint has less oil in it. As artists paint layers onto paintings, they make each progressive layer “fatter” than the one before by adding more medium. The more oil the paint has the more flexible it is. When the overpainting is more flexible than the underpainting, the paint is less likely to crack as it dries.

What is “Impasto” painting?

Impasto refers to a thicker application of paint (think Vincent Van Gogh) which has physical dimensionality. Use caution with this technique as thick layers of paint have a tendency to crack as they dry. Integrating smaller areas of this technique into a painting works best.

How can I protect my finished oil painting?

A finished painting should be coated with a protective varnish. However, it takes six months to a year for an oil painting to dry thoroughly enough to apply this finishing layer. In the meantime, store your work in a dust free, but not dark storage area.

Can I save oil paints and use them later?

Once oil paints begin the drying process and have developed an outer skin, they lose some adhesive and drying properties that cannot be recovered.
Here are three tips you can try to preserve leftover paints to use later:

• Try transferring blobs of paint to a strip of glass, then submerge thati n water. • Cover the paint with plastic wrap closely, so as to exclude all air.
• Cover your entire palette with plastic wrap and put it in the freezer.

Oil Painting Questions and Answers

NOTES: This article is a PDF version of text taken from DickBlick.com 2011


Special Event: July 21st -22nd Fine Art Show!

Wednesday, June 29th, 2011 Drawing and Painting 1 Comment

Kindly join artists Daniel Raminfard and Cody Ericskson for an evening of fine art, live music, vegetarian hors d’oeuvres and wine as we celebrate our newest paintings.

All works of art on display are for sale to the public. Please feel free to forward this invitation to friends, family, fine art collectors and enthusiasts. Cocktail attire is preferred.

Thanks for your support- I am looking forward to seeing you there!


Some Tips on the Art of Oil Painting!

Thursday, June 2nd, 2011 Drawing and Painting Comments Off

1. The slower you paint the faster your work gets done.  Painting requires the utmost attention to form, composition, color, value and edge.  This often overwhelms students, so I recommend SLOWING DOWN… way DOWN! So much so, that you may consider your process lethargic.  Why, because once you get one part of your piece right the rest begins to fall into place.  Remember… the slower you go the faster your work gets done.
2. Our objective in art class is to perfect our skill as artists, not to perfect our individual pieces of work.  Don’t waist time perfecting your work!  Yes, you read me right.  Focus instead on perfect your skill.  To me spend hours on making a 1 inch patch of your canvas perfect is really a waist of time.  Why not focus that energy on a new art piece that is stronger then your last piece.
3. Step back OFTEN! Most people paint from a 1-3 feat away from there canvas and really step back- they then get frustrated that the details or color they were working on doesn’t read well within the context of there art piece. Painting to close to your canvas is like reading a sentence letter by letter; you’re just to close to truly understand your work holistically.
4.  Drawing is about understanding what you see- NOT what you know. The problem with most people is that they are unable to draw what they see because their logical mind wants to make sense of what it’s seeing in term of object recognition instead of visual elements like  shape, color, value and edge. To combat this tendency use the artist’s  1st rule of drawing: Look twice, draw once… conversely- look once, draw twice!

Alla Prima Workshop – May 2011

Thursday, June 2nd, 2011 Drawing and Painting No Comments

Student working from life in a 3 hour Plein Air Study of the jetty  in Marina Del Ray, CA


Sunday, March 20th, 2011 Drawing and Painting No Comments

Basic Drawing & Painting Series- Tips & Suggestions


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Artist Daniel Raminfard and The Raminfard School of Arts are based in West Los Angeles. We offer drawing and oil painting classes for kids and adults ages 6 and up. The school is located close to Brentwood, Beverly Hills, West Hollywood, Santa Monica, Pacific Palisades, Culver City, Venice, etc. Learn to paint like a professional artist in just a few weeks with expert art instruction. Contemporary realist, Daniel Raminfard’s original oil paintings, custom portraits, limited edition lithographs and prints can be purchased through this website.

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